Behind the Photographs of O. Winston Link – Thomas Garver
Monday, July 18, 2022
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Sunday, July 17 at 4:30 p.m. (CST)
Thomas Garver, the former assistant/agent of Link and the founding curator of the O. Winston Link Museum, will present Behind the Photographs of O. Winston Link. Garver will discuss the life and work of Link as well as his remarkable photographs of the Norfolk & Western Railroad.
Thomas H. Garver is a retired art museum director, writer, and independent curator. In 1957-58, just out of college, he worked for O. Winston Link as a part-time assistant in Link’s New York City studio. Part of his assistantship included three trips, totaling about a month, to Virginia, West Virginia, and North Carolina to aid Link in the creation of his visionary five-year documentation of the Norfolk and Western Railway at the end of steam power on the line.
Tom Garver assisted Winston Link in the field, and subsequently contributed a chapter to Link’s first book, Steam, Steel & Stars, published in 1987. Tom was the sole author of the text for the second book of Link’s railroad photos, The Last Steam Railroad in America, published in 1995. In 1994, Garver became Link’s business agent, and following Link’s death in 2001, Garver served as organizing curator of the O. Winston Link Museum, located in the former N&W passenger station in Roanoke, Virginia. He lives in Madison, Wisconsin.
This event is free.
Train #2 arrives at the Waynesboro Station, Waynesboro, Virgnia, April 14, 1955. Courtesy of the O. Winston Link Museum.Railroad Landscapes – John Sanderson
Tuesday, June 28, 2022
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Monday, June 27 at 4:30 p.m. (CST)
John Sanderson will discuss the origins and progress of his on-going photographic series titled Railroad Landscapes. This project explores the territory adjacent to America’s railways using large format film cameras. An ongoing project since 2009, this work has taken him throughout the United States in search of photographs. Along the way, Sanderson has captured the unique way the American railroad bisects cities, towns, countryside and vast wilderness. The project deliberately leaves the train out of the picture, reflecting instead, as Sanderson says “on the landscape as something independent of its intended use.”
John Sanderson is drawn to broad topographical subjects within the United States. It is in the outdoors that he feels most creative. His photographs reconcile American motives of impermanence, and expansion within the contemporary landscape. His projects include themes such as transportation, leisure, residence, industry, and decay. The influence of growing up in New York City’s Midtown Manhattan underpins much of Sanderson’s work, which is rooted in a passion for architectural design. He captures photographs for each project with multiple large format film cameras as well as smaller digital cameras as needed. Sanderson’s photographs have been featured in a variety of publications such as: PDN Magazine, Slate Magazine, BBC News, The Wall Street Journal, Lenscratch, and NBC News. Two projects, Fallen Flags and Railroad Landscapes, have been the subject of several solo and group exhibitions. His work resides in a number of private and public collections including the Figge Museum of Art, MTA Metro North Railroad, New York Transit Museum, Center for Railroad Photography & Art, and the special collection libraries of the International Center of Photography, Amon Carter Museum, and UC Berkeley. Zatara Press published his Carbon County project in 2019.
This event is free.
Grain Elevator, Sayre, OK
John SandersonThe Art of Railroading from the Grohmann Museum Collection
Tuesday, March 1, 2022
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Monday, February 28 at 4:30 p.m. (CST)
James Kieselburg, director of the Grohmann Museum at the Milwaukee School of Engineering (MSOE) will share a survey of railroad images, including prints, photographs, paintings, and sculpture, from the museum’s collection.
James Kieselburg is the Director at the Grohmann Museum at Milwaukee School of Engineering. James has spent the past 20+ years at the Museums of Beloit College, UW-Milwaukee, Marquette University, and MSOE. He is the curator of several recent exhibitions including STEEL: Photographs by David Plowden, The Magnificent Machines of Milwaukee, and The Two Edmunds. He has also published numerous books, essays and articles for the Grohmann Museum, The Society for Industrial Archeology, and even the Center for Railroad Photography and Art. His scholarly pursuits focus on museum design, the art of industry, Regionalist and Precisionist painting, and the sociology of work.
This event is free.
Railroad Workers (Adzing for Tie Plates). Leonhard Sandrock, ca. 1910. From the collection of Grohmann Museum at Milwaukee School of Engineering
James Kieselburg, director at the Grohmann Museum at Milwaukee School of Engineering
Postcards from my Seventy-Two Year Vacation – A Conversation with Mitch Markovitz
Tuesday, February 8, 2022
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Monday, February 7 at 4:30 p.m. (CDT)
Painter Mitch Markovitz will discuss his lifelong love of railroad art from his earliest memories of visiting the Illinois Central’s Grand Crossing station with his mother to running trains by the same station forty years later as an engineer. Now a revered artist, the themes of his works tend to focus on the world of railroading – not just trains but life in railroad situations – through the medium of oil paint.
In this program Mitch will deliver a thirty-minute presentation on his art and then we will open the floor for a long-form Q&A session. Attendees will have the opportunity to unmute and ask their questions live.
Mitch Markovitz was born on the south side of Chicago and has enjoyed a lifelong interest in the arts and railroading. He attended the American Academy of Art and the Chicago Academy of Fine Art before being hired out to the Chicago and North Western Railroad in 1969 at first as a brakeman and later a suburban ticket collector and passenger service trainman. Mitch’s role in the railroad industry has been robust with him holding a large variety of positions, including fireman, hostler, engineer, Amtrak ticket clerk, conductor, service coordinator, and chef. From 1984 to 1999 he served as the art and creative director, assistant passenger traffic manager, trainman, and engineer for the Chicago South Shore and South Bend Railway. Today he channels his vast experience of railroading into oil paintings as a commissioned artist. He has also authored the publication “How to Draw and Paint Trains Like a Pro,” and co-authored “Moonlight in Duneland.”
This event is free.
David P. Morgan’s Milwaukee, presented by Kevin P. Keefe
Tuesday, December 7, 2021
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Monday, December 6 at 4:30 p.m. (CDT)
In a program centered around the late 1940s through the early 1960s, we take a tour of the Milwaukee area as famed Trains Magazine Editor David P. Morgan might have experienced it, from the early days of his career as a junior staff member to his prime years as editor-in-chief. We’ll start at Morgan’s place of employment — the celebrated Kalmbach building at 1027 N. Seventh Street — and work our way around town, witnessing freight and passenger action on the Milwaukee Road, the North Shore Line, the Chicago & North Western, as well as some operations of the Milwaukee Electric.
The presentation will include images from a number of iconic Milwaukee photographers of the era, including Wallace W. Abbey, Jim Scribbins, and W.A. Akin, Jr., as well as some often bittersweet before-and-after comparisons. It’s easy to see why Morgan, a Southerner by birth, fell in love with the city where he spent most of his life.
Kevin Keefe recently retired as vice-president-editorial for Kalmbach Publishing Co. and is a board member of the CRP&A. He served as editor of Trains from 1992 to 2000. As a student at Michigan State, he worked on Pere Marquette steam locomotive no. 1225, and he later authored a book about it.
This event is free.
One of Milwaukee Road’s Fairbanks-Morse switchers works the Beer Line branch beneath the Holton Street bridge. Wallace W. Abbey, The Center for Railroad Photography & Art, Abbey-01-148-10.
Above, Aboard, and Beyond: Unique Perspectives by Rail
Saturday, November 13, 2021, 11:00 am – 2:00 pm (U.S. Central Time)
Join the CRP&A for an upcoming weekend event on Zoom featuring three fantastic photographers exploring unique perspectives by rail.
Download the program HERE
Jennifer Al-Beik
Finding My Track: Rail Photography as a Creative Outlet
Jennifer Al-Beik shares perspectives as a newcomer to the hobby of railroad photography.
Jennifer Al-Beik is a veterinarian by trade and took up a passion for railroad photography after her son became interested in railroads. As a newcomer to the hobby, Jen now enjoys rail photography as a creative outlet and takes images from both the ground and from the air by drone.
Stacey Evans
Passengers
Glimpse the American landscape from the seat of Amtrak passenger Stacey Evans. Using the train as a moving studio tethered to the earth gliding on a predetermined path, Stacey makes photographs focused on regional similarities and differences while composing how we occupy, shape, and transform the land. Her archive has over 29 train trips in America, plus a few in Scandinavia and France. Over the years, she’s collected various themes ranging from swimming pools, to power supplies, agriculture, intersections, and fading light, to name a few. She will share her unique perspective not accessible by foot, plane, or car.
Stacey Evans grew up in Waynesboro, Virginia, a small town made diverse by its variety and combination of different landscapes – rural, urban, industrial and suburban. Over the years, she has worked to translate her formative visual experiences and demonstrate the role landscapes play within culture. She studied photography at Virginia Commonwealth University and received a BFA in photography from the Savannah College of Art and Design. She works as an artist, educator, and photographer. She is the Imaging Specialist and Project Coordinator at the University of Virginia Library, a Statewide Educator at the Virginia Museum of Fine Arts and a resident artist at the McGuffey Art Center in Charlottesville. Her artwork is exhibited regionally and nationally.
Scott Lothes
John Gruber: B&W Photography, 1960-1964
Scott Lothes, the executive director and president of the Center for Railroad Photography & Art, will share selections and highlights from the illustrious collection of our co-founder John Gruber (1936-2018). John was not only a great rail photographer, but also an author, scholar, grandfather, and staunch champion of other artists as well as the field of railroad photography itself. We have the privileged opportunity to preserve and provide access to his legacy. John’s collection contains over 108,000 images as well as boxes of manuscript materials related to his publishing projects and the founding of the Center. Digitization of John’s collection began in 2020.
This event is free.
The WJNP (White River Junction to Newport, Vermont) on the Vermont Rail Systems at Norwich, Vermont seen by drone in April 2021. Photograph by Jennifer Al-Beik.
Schedule, U.S. Central Time
- 10:30 AM, Zoom meeting open
- 11:00 AM, Welcome and Introduction, Scott Lothes, CRP&A executive director
- 11:15 AM, CRP&A Collections Update, Adrienne Evans, CRP&A archives manager
- 11:30 AM, Jennifer Al-Beik, Finding My Track: Rail Photography as a Creative Outlet
- 12:15 PM, BREAK
- 12:30 PM, Stacey Evans, Passengers
- 1:15 PM, Scott Lothes, John Gruber: B&W Photography, 1960-1964
Railroaders: Jack Delano’s Homefront Photography, presented by Bon French
Tuesday, October 5, 2021
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Monday, October 4 at 4:30 p.m. (CDT)
Railroaders: Jack Delano’s Homefront Photography, demonstrates that the railroad industry—like ethnic, religious, and neighborhood enclaves—fostered its own communities and networks. Through the stories of the lives of the men and women of railroading, this collaborative exhibition between the Center for Railroad Photography & Art and the Chicago History Museum demonstrates how the people of one industrial community represent, in microcosm, the vastness of Chicago society and, by extension, American society as a whole.
Join Bon French, a board member at both the Center for Railroad Photography & Art and the Chicago History Museum, in a presentation on the exhibition and its forthcoming display at the Peoria Riverfront Museum in Peoria, Illinois from October 9, 2021 to January 2, 2022.
The exhibition features some sixty of the remarkable images created in 1942–1943 by photographer Jack Delano as part of his assignment to document the nation’s railroad story for the Farm Security Administration-Office of War Information. While Delano also photographed infrastructure and rolling stock, he concentrated on the people who did the work of railroading. Roy Stryker, head of the photographic surveys for both FSA and its successor OWI, instructed Delano to document in pictures the importance of the railroad industry during wartime and the contributions made by railroaders and their families to World War II on the home front.
This event is free.
Chicago & North Western Railroad towerman R.W. Mayberry of Elmhurst, Ill., at the Proviso yard in May 1943. He operates a set of retarders and switches at the hump, Melrose Park (near Chicago), Ill. Jack Delano, 1914-1997, LC-USW36-588
The Railroad and the Art of Place: An Anthology, panel discussion
Wednesday, September 15, 2021
7:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Tuesday, September 14 at 4:30 p.m. (CDT)
The Center for Railroad Photography and Art’s upcoming publication, The Railroad and the Art of Place: An Anthology, was made possible by the collaborative efforts of a team of thirty contemporary and historical photographers, whose works are displayed across eighteen portfolios that visually contemplate the visible and philosophical imprint of the railroad on the American landscape.
Join Alexander Benjamin Craghead, Jeff Brouws, Edd Fuller, David Kahler, and Kevin Keefe in a discussion on the original philosophy behind the publication, an overview of the project, and the decisions that went into the aesthetics of the book.
Alexander Benjamin Craghead is a curator, photographer, essayist, and historian who writes about the intersection of technology, representation, and landscape. His publications include Railway Palaces of Portland, Oregon, as well as articles in magazines such as Boom! A Journal of California, California History, Railroad Heritage, The Smart Set, and Trains, and a regular column in Railfan & Railroad magazine. He holds a Ph.D. in Architecture, and is faculty at the American Studies program at UC Berkeley.
Jeff Brouws is a board member of the CRP&A and brings knowledge of nineteenth and twentieth century photography and a broad background in publishing, with seven photography books to his credit. His photographs can be found in numerous public and private collections.
Edd Fuller remembers visiting his grandparents near Roanoke, Virginia and seeing the remaining Norfolk & Western steam power hauling coal along the James River. That experience fostered a love of the railroad, and the landscape surrounding it. Edd lives with his wife in the foothills of Virginia’s Blue Ridge Mountains and edits The Trackside Photographer, a website focused on the places, the people, and the stories that define the railroad landscape.
David Kahler, FAIA, received his Bachelor of Architecture degree from Syracuse University and a Masters of Arts degree in Architecture from Princeton University. He had a private architectural practice based in Milwaukee, Wisconsin for thirty-six years and was president of the Milwaukee Art Museum from 1974-76. He currently serves as a board member for CRP&A, and authored the publication The Railroad and the Art of Place.
Kevin Keefe is recently retired as vice-president-editorial for Kalmbach Publishing Co. and board member of the CRP&A. He served as editor of Trains from 1992 to 2000. As a student at Michigan State, he worked on Pere Marquette steam locomotive no. 1225, and he later authored a book about it.
Watch for an email on the evening of September 14th, which will include a Zoom link and log in information to all registrants.
This event is free.
Kevin Scanlon, Gautier Steel, Johnstown, Pennsylvania, 2008
Edd Fuller, abandoned freight depot, Strasburg, Virginia, 2019
Amtrak’s Evolving Image
Wednesday, August 25, 2021
7:00 – 8:00 p.m. (U.S. Central Time), on Zoom
Registration closes on Tuesday, August 24 at 4:30 p.m. (CT)
Amtrak Brand Communications Manager Matt Donnelly joins the Center for Railroad Photography & Art to discuss the development of Amtrak’s brand over the last 50 years. Donnelly will discuss Amtrak’s earliest attempt at developing a paint scheme, the creation of its iconic liveries of the 1970s and 1980s, and the challenges of creating a consistent image on a diverse fleet of railroad equipment.
Originally from Auburn, New York, Matt Donnelly is a career railroader, joining Amtrak in 2005 after graduating from the State University of New York at Oswego. He’s worked in field and corporate positions, including as a ticket agent in the Syracuse and Rochester, New York stations, as a trainmaster in Washington Terminal, in product development overseeing the Capitol Limited, Cardinal and Silver Service, and auditing. He is currently Amtrak’s Brand Communications Manager based out of corporate headquarters in Washington, D.C. Matt studied dark room photography and has been published in various rail industry publications over the past twenty years.
This event is free.
Amtrak’s first timetable, and one of the first pieces to publicly display the newly created Amtrak name and logo. Copyright the National Railroad Passenger Corporation.The Sun Always Sets in the East and West, Yoichi Uzeki
Tuesday, July 13, 2021
7:00 – 8:00 PM (U.S. Central Time), on Zoom
Registration closes on Monday, July 12 at 4:30 PM (CT)
Yoichi Uzeki returns to the Center for Railroad Photography & Art’s summer programming series following his acclaimed presentation at Virtual Conversations 2021, our most recent online conference.
Yoichi will expand on his photography travels and experiences in the eastern and western metropolises of Tokyo and New York, respectively, with a focus on the awe-inspiring sunsets from both cities.
A native of Tokyo, Yoichi Uzeki is a pianist, composer, and arranger who received his bachelor’s degree at Temple University and his master’s degree and the Sir Roland Hanna Award from Queens College, City University of New York. Uzeki started seriously taking railroad photographs after he opened his Instagram account on July 31, 2015. Since then, he has pursued railroad photography in New York City, Philadelphia, Washington D.C., Chicago, and all over Japan.
This event is free.
Reflection over rice fields at Sakura City, Chiba, Japan. Photograph by Yoichi Uzeki.Hoosier Lifelines: Social and Environmental Change Along the Monon, 1847-2020
Tuesday, June 8, 2021
7:00-8:00 P.M. (U.S. Central), on Zoom
Registration closes on Monday, June 7 at 4:30 PM (CT)
The curators, historians, and artists behind the Hoosier Lifelines exhibition will discuss their interdisciplinary efforts integrating art and history in an exploration of Indiana’s changing environment along the remains of the historic Monon Railroad, from the Ohio River’s banks to Lake Michigan’s dunes. Today, its trains gone and its tracks largely deserted, the Monon’s path serves as the foundation on which to build a new understanding of the interplay of landscapes, ecosystems, and communities across time and space.
Dr. Elizabeth Grennan Browning is a U.S. historian, whose environmental history research examines how Americans have thought about and engaged with environmental issues and built narratives around these experiences, particularly through the lenses of environmental health and social justice in the nineteenth and twentieth centuries. She joined Indiana University’s Environmental Resilience Institute as the Midwestern/Indiana community history fellow in 2018 after receiving her Ph.D. in history from the University of California, Davis. At ERI, her research has spanned a broad range of environmental histories, from the interconnected stories of urban renewal and Superfund remediation in East Chicago to Midwestern farmers’ decision-making regarding resilience practices. Throughout her ERI projects, she has worked to build public discussion about climate change through public history engagement.
Richard Koenig is the Genevieve U. Gilmore Professor of Art at Kalamazoo College. Born in 1960, Koenig studied photography and holds degrees from Pratt Institute and Indiana University. In the summer of 2010, he began working on a long-term documentary project called Contemporary Views Along the First Transcontinental Railroad, four articles on which were published between 2014 and 2019. In addition, a memoir piece was published in Railroad Heritage (2017) as well as one on New Mexico’s last active semaphores in Railroad History (2019). He’s currently working on an article on the railroads around Traverse City, Michigan.
This event is free.
A pair of brand-new Monon F3A diesel locomotives on display at Michigan City, Indiana, on January 10, 1947. Photograph by Perry Frank Johnson, collection of the Center for Railroad Photography & ArtOf Light, Landscape and the Echo of Trains, presented by Todd Halamka
Tuesday, May 25, 2021
7:00-8:00 P.M. (U.S. Central), on Zoom
Registration closes on Monday, May 24 at 4:30 PM (CT)
A selection of railroad photography by Todd Halamka comprised of his image making Process, Natural Landscapes, and Urban Landscapes.
Todd Halamka, is a practicing architect and founder of Todd Halamka + Partners in downtown Chicago, and a member of board of directors at the Center for Railroad Photography & Art. His focus on railroad photography began in 2011, combining his lifelong love of trains and the outdoors with his fascination for image making.
In the Process section of his presentation, Todd will show a continuing interest in how still images, put together in different ways, convey context, movement, and light to elicit viewer’s emotions at a deeper level. In this case it is -40 degrees on a brutally cold Moscow, Russia morning as a unit oil train climbs the Mockba River viaduct, presented as a sequential overlay of three still images, with a progression of transparency from background to foreground.Celestials, film premiere and discussion, hosted by the Chinese Historical Society of America (CHSA)
Saturday, May 8, 2021
3:00 – 6:00 PM US Central Time [1:00 – 4:00 PM Pacific]
The Center for Railroad Photography & Art invites our members to participate in a special premiere of the film Celestials, hosted by the Chinese Historical Society of America on Saturday, May 8th, 2021 via Zoom.
During the late 19th century, the term ‘celestial’ was a pejorative used to insult Chinese immigrants and laborers. Ironically, while there was discrimination towards Chinese workers in the United States, American developers depended heavily upon the work of Chinese immigrants, particularly when it came to the building of the transcontinental railroad.
The documentary film Celestials showcases six years of collaboration between Stanford University and the Chinese Historical Society of America to explore the lives of the Chinese railroad workers who built the transcontinental railroad.
The film explores the links between the Chinese workers and their ancestral homes in Kaiping, China through groundbreaking archaeological research. It paints a composite portrait of workers through oral histories collected from their descendants. And it examines the 150-year struggle for Chinese Americans to obtain national recognition for their contributions to American history.
CHSA invites CRP&A supporters for a screening of Celestials, followed by a panel discussion with Stanford Professor of Archaeology Barbara Voss, Award-Winning Local Historian Connie Young Yu, and Director and Producer, and past Conversations conference presenter, Barre Fong.
To learn more about the Chinese Historical Society of America, or to make a gift in support of today’s event, visit: https://chsa.org/support/
Beebe and Clegg: Their Enduring Photographic Legacy, with Mel Patrick and John Ryan
Tuesday, March 23, 2021
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
Mel Patrick and John Ryan, authors of Beebe and Clegg: Their Enduring Photographic Legacy, have teamed up to present on one of the most legendary pairings in American railroad photography. Patrick and Ryan will present a more in depth view of their research, including the work contributed by the late John Gruber, to discuss Beebe and Clegg’s pioneering approach to railroad photography.
Mel Patrick is a Chicago native who moved to Denver in 1972. He received the 2011 Railway & Locomotive Historical Society photography award for lifetime achievement in railroad history. Patrick made synchronized night flash pictures from 1968 to 1973.
John Ryan is a skilled photographer whose work has been recognized by Railfan & Railroad Magazine in 2004 for its cover contest and in 2008 for its center spread contest. A railroad historian, he is also co-author of SLC at 100, a history of the San Luis Central Railroad in Colorado.
Beebe titled it “On the Outside Iron” but provided no details about this steam freight train on the Pennsylvania Railroad’s electrified main line in Maryland. Today, this is Amtrak’s busy Northeast Corridor. Photograph by Lucius Beebe. Collection of the California State Railroad Museum, BC3528.The Art of Dining on Rails: Presented by Jay W. Christopher & Anne Lapinski
Tuesday, February 23, 2021
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
View of the railroad dining car collection at the Jay W. Christopher Transportation Museum. Photograph by Anne Lapinski.The Iron Road to the Deep North: Japanese Railways of Hokkaido, Then and Now
Wednesday, January 6, 2021
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
A Japanese National Railways D52 locomotive steams south with a freight train at Onuma, Hokkaido, in January 1971 beneath snow-covered Komagatake. Photograph by Victor Hand, Hand-JNR-C18-01.
A JR Hokkaido “Super Hokuto” Limited Express train rolls along Uchiura (“Volcano”) Bay near Date, Hokkaido, in June 2007 with Komagatake in the background at left. Photograph by Scott Lothes.Wallace W. Abbey: A Life in Railroad Photography
Wednesday, December 16, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
On a rainy summer day in Milwaukee, Wisconsin, in 1952, two boys watch as the Chicago & North Western’s westbound Twin Cities 400 makes its stop at the city’s lakefront depot, near the shore of Lake Michigan. Abbey-03-049-002.
The Railroad and the Art of Place, David Kahler
Tuesday, November 17, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
In the late 1980s, David Kahler was deeply inspired by seeing an exhibition of O. Winston Link photographs. He soon began making annual trips to the West Virginia and eastern Kentucky coalfields, destinations that strongly resonated with his own aesthetic of “place.” Armed with a used Leica M6 and gritty Tri-X film, he and his wife made six week-long trips in the dead of winter to photograph trains along the Pocahontas Division of the Norfolk Southern Railway. A selection of photographs from that body of work form the core of this presentation.
David Kahler, FAIA, was born in Harrisburg, Pennsylvania. He received his Bachelor of Architecture degree from Syracuse University and a Masters of Arts degree in Architecture from Princeton University. He had a private architectural practice based in Milwaukee, Wisconsin, for thirty-six years, raised four children, and was the President of the Milwaukee Art Museum from 1974 to ’76. Kahler presently serves as a board member for the Center for Railroad Photography & Art.
Yard Complex, Kenova, West Virginia, February 1992. Photograph by David Kahler.Conversations about Ted Rose
Thursday, October 29, 2020
7:30-8:30 P.M. (U.S. Central), on Cisco Webex Events
Join the Center for Railroad Photography & Art and the Colorado Railroad Museum as we immerse ourselves in a discussion focusing on the photography and art of Ted Rose.
This virtual program is presented in conjunction with the Museum’s current exhibit from the Center, Railroads and the American Industrial Landscape: Ted Rose Paintings and Photographs, which runs now through December 31st.
Presentations by Paul Hammond, Executive Director of the Colorado Railroad Museum, and Charles Albi, former Executive Director, will explore connections between the Colorado Railroad Museum and Ted Rose. Scott Lothes, Executive Director of the Center for Railroad Photography & Art, will provide the keynote presentation for the evening concentrating on Ted Rose and his artistic legacy in the railroading community.
Virtual Oktoberfest: Milwaukee’s Beer Line
Tuesday, October 6, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
Join author John Kelly for a virtual Oktoberfest! Crack open your favorite seasonal Octoberfest and join us for a lecture on the history of the Milwaukee Road’s beer line.
Since statehood, beer has played an integral role in the growth of Wisconsin industry, while bringing Milwaukee national fame. What might be less obvious, but no less important, was the profound role that rail transportation played in this story. This lecture will look at the rise, fall, and rise again of Milwaukee’s beer industry through the eyes of the Milwaukee Road’s Beer Line.
Virtual Launch Party For Our New Book: The Railroad Photography of Donald W. Furler
Tuesday, August 25, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
Join author Scott Lothes for a virtual launch of the Center’s newest publication, The Railroad Photography of Donald W. Furler. The 216-page hardcover book presents 200 stunning images, printed as rich duotones and showcasing the emergence of railroad action photography during the final years of steam in the Northeast. The Furler Collection is a cornerstone of the Center’s archive, and we are proud to present this long-overdue monograph.
Lothes will take you behind-the-scenes for both the making of the book and his own fascination with Furler’s photography. Lothes will describe how he went about selecting which photographs to include from the 5,000 in the collection, while sharing a few of his favorites that made the final cut as well as some others that did not. He will also discuss the Center’s archival work, the overall strengths of this collection, and the fascinating industrial landscape of the northeastern United States that formed the backdrop for Furler’s photography.
Following the Golden Spike: Time, Place, and Change Along the First Transcontinental Railroad
Tuesday, August 18, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
Join artist Drake Hokanson, contributing author and photographer to the Center’s publication After Promontory, in a re-photography trip along the original Union Pacific route.
Throughout the 150 years since the completion of the first transcontinental railroad, many parts of the 1,800-mile route between Omaha and Sacramento have changed enormously. Some sections are busy, three-track, state-of-the-art mainline; others are abandoned to the desert wind. In his presentation, Hokanson will address the broader history of railroads and photography and expand on how these two technologies came of age together in the nineteenth century and profoundly changed how we experienced the world. Through his black and white photographs, Drake Hokanson will explore the layered past, the natural and human geography, and the deeper meaning of this linear landscape.
Drake Hokanson is an author, photographer, and independent scholar who looks to the broad American land, its places, well-worn paths, people, and stories as the subjects for his photographs, books, exhibits, and essays. He is the author/co-author of three books, has edited and contributed to several others, and has exhibited photographs coast to coast. His other experience includes teaching photography and nonfiction writing at the university level for some thirty years.
An Evening With The Winners of the 2020 John E. Gruber Creative Photography Awards Program: John Troxler & Steven Chen
Tuesday, July 14, 2020
7:00-8:00 PM (US Central Time), on the Cisco Webex
John E. Troxler and Steven Chen won first prizes in the 2020 John E. Gruber Creative Photography Awards Program in the black-and-white and color categories, respectively. Join us in a conversation about their photography.
In The Studio With Adam Normandin: Living With Trains And Life With Art
Tuesday, June 30, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
Join artist Adam Normandin in an exploration of his work, influences, and studio.
Normandin is a contemporary realist painter living and working in Los Angeles. His paintings depict undoctored freight train cars as they appear in yards, often covered in graffiti or resting in desolate settings. Through his work, Normandin looks to examine the notion of space, purpose, and the passing of time, and the exploration of interconnectedness and transience of humanity.
CRP&A Archives and Preservation Q&A
Tuesday, May 19, 2020
7:00-8:00 P.M. (U.S. Central), on Cisco Webex
Hosted by Adrienne Evans, CRP&A Archivist
Curious about the basics of photography archiving and preservation? CRP&A Archivist Adrienne Evans answers submitted questions to expand your knowledge on becoming a better caretaker for your photographic materials.
